花札渡世
An absolutely astonishing art house ninkyo yakuza film. Wandering gambler runs into a young swindler woman working with old man. They are both arrested by detective. A year later gambler is staying with gangster boss when he comes across that woman and her partner again. Boss lusts for both her and his own daughter, while the boss's crazy yakuza brother loves his daughter, who, in turn, watches the player and wants to destroy the people standing in her way. And here lies one of the film's remarkable departures from the standard ninkyo efforts: it doesn't have a third party villain, nor a clear distinction between good and evil. It's bursting with romantic emotion and wrenched with gritty realism, shot with striking black and white compositions, and explodes into shocking carnage. It has lengthier, more detailed gambling scenes than any other yakuza film I've seen. And it has a heartbreakingly beautiful score. You could call it the Ashes of Time of ninkyo yakuza films. A masterpiece!
Emitir: 梅宮辰夫, 鰐淵晴子, 伴淳三郎, 遠藤太津朗, 西村晃, 安部徹, 小林千登勢, 沢村貞子, Keiichi Kitagawa, Shin Roppongi, Hirohiko Sato, Tomotaka Ueda, Ryō Suga
Tripulación: Shiro Kuwana (Lighting Camera), Masahiko Iimura (Cinematography), 成沢昌茂 (Screenplay), 渡辺岳夫 (Music), 成沢昌茂 (Director)
Palabra clave:
花札渡世 1967
Toei Company
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