Del punto a la forma
Considered to be artist Martin Blaszko's only incursion into film. Through the experimentation with various film techniques, the artist speaks of the laws of geometry which are an important part of his work, and other obsessions of his, such as, bipolarity, the monumental, and the city as a source of aesthetic emotion.
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Tripulación: Eugenia Blaszko (Assistant Director), Martin Blaszko (Editor), Martin Blaszko (Director), Martin Blaszko (Writer)
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