Divlje cvijeće
My father only used a camera once in his life. Thirty years later, he asked me to digitise the material he had filmed. I was wondering what he remembers. Created from an impulse to rethink and rewatch personal archive footage, the film explores memory and its relation to documentation and non-institutional archive practices. Connecting politics with intimate spaces, the documentary questions both the influence of war on private archives and the role of gardens as places of new begginings.
Palabra clave:
Divlje cvijeće 2022
Elías Querejeta Zine Eskola
Comentario
Nunca compartiremos su correo electrónico con nadie más.
Recomendación para mirar
