日本橋
Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.
Emitir: 淡島千景, 若尾文子, 山本 富士子, 品川隆二, 川口浩, 柳永二郎, 船越英二, 高村栄一, 杉寛, 岸辉子, 浦辺粂子, 沢村貞子, 賀原夏子
Tripulación: Yasuzō Masumura (Assistant Director), 柴田常吉 (Lighting Technician), 柴田常吉 (Color Designer), 中静達治 (Editor), 永田雅一 (Producer)
Palabra clave:
日本橋 1956
Daiei Film
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